Photography, at its core, is the art of capturing light. It shapes everything we see, determines the mood of an image, and ultimately brings a photograph to life. Over time, I’ve developed a deep appreciation for lighting and how it can make or break a photo—particularly in black and white photography, where light and shadow take center stage.
While I enjoy experimenting with color, black and white photography has always held a special place in my creative process. Stripping away color allows me to focus on the fundamentals: contrast, shadows, and composition. It removes distractions and reveals the true essence of a scene.
In black and white, light becomes the subject itself. The interplay between highlights and shadows transforms ordinary moments into something dramatic, timeless, and full of emotion. Whether it’s soft natural light illuminating a face or harsh, artificial light casting sharp shadows, black and white photography gives me the freedom to emphasize textures, shapes, and tones in ways that color sometimes cannot.
For example, when shooting portraits, a subtle change in lighting can completely alter the story being told. Harsh side lighting can create bold, cinematic shadows, while soft, diffused light brings a more gentle and emotional quality to the image. In black and white, these choices are amplified because contrast becomes more pronounced, adding depth and dimension to the photo.
Lighting is often underestimated, but for me, it’s the single most important element in photography. It’s what determines the mood, tone, and message of an image. I like to think of light as a brush I can use to paint a scene. A well-lit photo can evoke strong emotions, while poor lighting can flatten a subject and strip it of life.
When I approach a shoot, I spend time studying how the light interacts with my environment or subject. I ask myself questions like:
In controlled settings, such as studio work, I love experimenting with strong, directional lighting to create high contrast. I’ll use overhead light to sculpt hands or facial features, as you can see in some of my portfolio shots. I enjoy how shadows can carve out shapes, turning the photo into something more dynamic and intentional.
On the other hand, in outdoor or natural light settings, I play with positioning and timing—capturing light as it streams through a window, falls gently on a subject at golden hour, or cuts sharply across the frame. Even soft, cloudy days offer incredible opportunities to work with even lighting, which removes distractions and creates a beautiful sense of calm.
What I love most about lighting is its ability to create contrast and shadows, two elements that add drama and storytelling to my work. In black and white photography especially, shadows aren’t just “dark areas”; they’re part of the narrative. They add mystery, tension, and shape to an image.
For instance, when working on my Lighting portfolio, I explored how hands—such a simple subject—could transform under different lighting conditions. A single light source positioned from above created dramatic shadows that added intensity to the image, making it feel striking and intentional.
Similarly, in portrait photography, I use shadows to add depth to faces and evoke emotion. The contrast between light and dark brings focus to the details I want to highlight—whether it’s the texture of skin, the curve of an expression, or the emotion in someone’s eyes.
As photographers, we often hear the phrase, “light is everything.” I’ve found this to be undeniably true. Good lighting doesn’t just make a photo look “better”—it transforms it. It gives photos their soul, allowing the viewer to feel something, whether that’s awe, nostalgia, or curiosity.
Black and white photography pushes me to see light differently. It forces me to slow down, study my surroundings, and make intentional choices about where to place my subject, how to shape the light, and when to capture the moment.
For me, every photograph begins and ends with light. It’s the invisible storyteller behind every frame, and understanding its power has shaped how I approach my work—turning everyday scenes into something extraordinary.